"Well, that's a mighty fine horse you're giving me there, sir!! Don't mind if I check out his teeth there, do you??"Falcon30 wrote: I hope everyone understands - I was looking for a good forward falcons for my MP3 - The one on here starts with a roll-off, which I don't like, and doesn't have the "twirler introduction drum break" in between the 1st and second time through the tune.
I just couldn't get over how different it was.
http://www.ay-ziggy-zoomba.com/sounds/fitesong.mp3SaxyIrishTenor wrote:What the hell version are you listening too??Falcon30 wrote:
I hope everyone understands - I was looking for a good forward falcons for my MP3 - The one on here starts with a roll-off, which I don't like, and doesn't have the "twirler introduction drum break" in between the 1st and second time through the tune.
http://www.ay-ziggy-zoomba.com/sounds/fitesong.mp3SaxyIrishTenor wrote:What the hell version are you listening too??Falcon30 wrote:
I hope everyone understands - I was looking for a good forward falcons for my MP3 - The one on here starts with a roll-off, which I don't like, and doesn't have the "twirler introduction drum break" in between the 1st and second time through the tune.
*mentally plays through fanfare...* *can't remember so she calls home to ask dad*Falcon30 wrote:http://www.ay-ziggy-zoomba.com/sounds/fitesong.mp3SaxyIrishTenor wrote:What the hell version are you listening too??Falcon30 wrote:
I hope everyone understands - I was looking for a good forward falcons for my MP3 - The one on here starts with a roll-off, which I don't like, and doesn't have the "twirler introduction drum break" in between the 1st and second time through the tune.
Saxy - was NOHS still playing the BGSU Fanfare when you went to HS??
the tenor saxes also play the full range of that chromatic...and we've ALWAYS put the space there...cuz we're intelligent....and it sounds like CRAP when you don't...but the euphs wouldn't know ANYTHING about sounding like crap, would they?The Niz wrote:Having personally taught the song to the 2006 FMB Euphonia this year, I can tell you that the space between the notes was given attention for the first time in at least two years. Being that the euphoniums are the only section that actually can play the part correctly all the way through, I'd say that and important impact may have been made.
P.S. Its not that the mellos and saxes aren't good enough to play it, The euphs are the only instrument with proper range for the entire chromatic run, which makes us absolutely vital to FF.
No we don't.SaxyGirl85 wrote:the tenor saxes also play the full range of that chromatic...and we've ALWAYS put the space there...cuz we're intelligent....and it sounds like CRAP when you don't...but the euphs wouldn't know ANYTHING about sounding like crap, would they?The Niz wrote:Having personally taught the song to the 2006 FMB Euphonia this year, I can tell you that the space between the notes was given attention for the first time in at least two years. Being that the euphoniums are the only section that actually can play the part correctly all the way through, I'd say that and important impact may have been made.
P.S. Its not that the mellos and saxes aren't good enough to play it, The euphs are the only instrument with proper range for the entire chromatic run, which makes us absolutely vital to FF.
I think he was kidding.... since I'm pretty sure he was also referring to himself.SaxyIrishTenor wrote:There are a lot of teachers on this board. You just called all of them incapable.The Niz wrote:(those who can't do, teach)
Thanks.
Agreed. And my job as a teacher will be to get my students to say they can as well. The word can't will not be tolerated in my classroom.bgmaggot00 wrote:Agreed. I hate that phrase. I am a teacher. I can.SaxyIrishTenor wrote:There are a lot of teachers on this board. You just called all of them incapable.The Niz wrote:(those who can't do, teach)
Thanks.
